Samsung planning Galaxy S IV launch for March 2013?

Samsung reportedly planning Galaxy S IV launch for February 2013 to steal a march on the iPhone 5

Galaxy S 4 or Galaxy S IV? Disagreements over the naming convention are likely to rage on now that Samsung's dropped hints that it's planning to replace the Galaxy S III in the spring of next year. A company official reportedly told Korea Times that "the new device is expected to hit shelves globally in March at the latest" following an initial announcement at MWC in February -- and while it would retain the "inspired by nature" design language of its predecessor, the screen might get a bump from 4.8 to 5-inches. It may seem odd for a company to talk up its next product so soon after the last one, but perhaps it's a deliberate marketing move in light of a certain new contender.

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Samsung planning Galaxy S IV launch for March 2013? originally appeared on Engadget on Mon, 17 Sep 2012 03:58:00 EDT. Please see our terms for use of feeds.

Permalink The Next Web, Tech in Asia  |  sourceThe Korea Times  | Email this | Comments


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Best Concrete Tools in Austin - Decorative Concrete Supply ...

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Watch The Ford Escape Try Its Hand At The Waltz [Video]

Raphael Orlove
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Watch The Ford Escape Try Its Hand At The Waltz Everyday cars are getting better and better at driving themselves. What's the best use of this new technology? Dancing cars, of course!

Ford wanted to show off how the Escape can park itself, so they set some synchronized hands-free parking action to Strauss' Blue Danube Waltz and called it a day. It's pretty cool, and we're glad that none of them caught fire.

Source: http://feeds.gawker.com/~r/jalopnik/full/~3/c-JChmeT25A/watch-the-ford-escape-try-its-hand-at-the-waltz

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For stock market experts: Do you think investing in Yamana Gold Inc ...

Q: For stock market experts: Do you think investing in Yamana Gold Inc. (AUY) is a good idea?

On Yahoo! Finance, the last trade was made at $ 10.00. The 1 year target estimate is $ 19.31. Does this 1 year target estimate mean what Yamana thinks they will be at or what Stock Market people think it will be at?

www.goldsenze.com Answer:

gold is passed, energy and financials have the most long term growth potential..they can?t estimate a stock?s price, they can only show what it has done in the past

posts you may find of interest:

  1. FAQ: if you had 500$..which company stock will you invest in yamana gold(AUY) or braskem(BAK)?
  2. What is your opinion on investing in the stock market for the long run and Market crashes? Goldsenze
  3. Question: What is your opinion on investing in the stock market for the long run and Market crashes? goldsenze
  4. Q&A: What is your opinion on investing in the stock market for the long run and Market crashes?
  5. Q&A: What is your opinion on investing in the stock market for the long run and Market crashes?

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Magnolia Pictures acquires fantastical romantic comedy "The Brass Teapot"

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A Minnesota arts collage, from theater to poetry ? Minnesota Prairie ...

FOR A FEW SECONDS THERE, I searched the dictionary of my brain for that word which temporarily eluded me. Collage. That would be it.

Remember when that art form was especially popular, when, as a school assignment, you had to scrounge up ten zillion magazines and then snip out images themed to a specific subject and glue it all in a jumbled mess onto a piece of paper?

Today I present a collage?not a jumbled mess, though?of art.

Let?s take the biggest focal piece first. A Hudson.

A Hudson, like this one I photographed several years ago at a Faribault car show, centers ?The Car.? Do not expect, though, to see a real Hudson on stage, only the shape of one.

The Hudson centers the stage at the Paradise Center for the Arts during a production of The Car by Carol Wright Krause. My husband and I saw this play by the Faribault-based The Paradise Community Theatre Friday evening. I?d rate it as one of the best I?ve ever seen performed locally.

Here?s a summary of the play written by director Gabe Talamantes:

The Car is about a family?s car, which as Ed (a character in the five-person drama) puts it ?is a miracle of modern American engineering.? This miracle car is a character in itself, a highly theatricalized version of a 1954 Hudson. It takes us on a journey into the lives of the Banners and the challenges an all American family faces as they struggle through two decades of change at home and abroad. We will see how they choose to overcome such difficulties.

Now, why am I so enthusiastic about The Car? Because it moved me to tears. When a theatrical performance can evoke such a strong emotional reaction from me, I will embrace it with unbridled enthusiasm.

That break-down moment for me came near the end of the play, when Vietnam War veteran Hal Banner (played by Todd Ginter), broke down in the arms of his father, Ed Banner (Chuck Larsen). He was no hero, Hal said, pointedly telling his father that he (Ed) would never understand the horrors of war. And then Hal got specific, talking about seeing the eyes of those he killed.

That?s when the tears trickled down by cheeks and I struggled mightily to keep from sobbing. In that moment, I heard my Korean War veteran father, not Hal/Todd. My dad, too, spoke of seeing the eyes of those he killed on the front lines in Korea.

Later, when I congratulated Todd on his performance, he told me that he had talked to several veterans in preparation for his role. And it was the eyes which they spoke of and which he knew he needed to emphasize in that heartrending father-son conversation. It is easily the most powerful moment in the play.

I wondered how many audience members might be veterans and at that moment suppressing war memories and feelings, as my father did.

But this play is about so much more than war. It also addresses the issue of prejudice when Hal brings home a Japanese wife, portrayed by Carrie Jendza whose mother came here from Korea some 40 years ago. Carrie presents a stunning performance as do Susan Dunhaupt as Ed?s wife, Geneva, and Faribault High School sophomore Emily Remmey as Beth Banner, Hal and Sumiko?s daughter.

The prejudice starts right away when Ed Banner insists on calling Sumiko the Americanized ?Sue.? He slides in references to ?slant eyes? (there?s the ?eye? thing again) and other derogatory comments.

In real-life, prejudice is an issue in Faribault, home to many Latino, Somali and Sudanese family. It is no secret that prejudice exists in my community. You can read about it in a previous post by clicking here.

I didn?t spot a single minority in the audience Friday evening, ?not unusual despite Faribault?s sizable minority population.

There, that?s all I?m telling you about The Car, other than to advise you to see this powerful and memorable production. It?s community theater at its best for the superb acting and the unforgettable messages delivered.

Faribault artist Vivian Jones created this watercolor, ?It Was Grandma?s Car,? for the current ?car pARTS? show.

Additional performances of The Car at the Paradise, 321 Central Avenue, Faribault, are set for 7:30 p.m. on September 15, 20, 21 and 22 and at 2 p.m. September 16. Call (507) 332-7372 or click here to reach the Paradise website. According to info published in the theater program, production of The Car is made possible through a Minnesota State Arts Board Operating Support Grant.

While you?re at the play, be sure to check out the exhibit, ?car pARTS,? in the Carlander Family Gallery.

The Beat logo.

NOW LET?S PLACE another piece in that art collage. On-air poetry.

In July, Northern Community Radio began airing poetry on its weekday morning show during a segment called The Beat.

On Monday my poem, ?Her Treasure,? will air on 91.7 KAXE (89.9/Brainerd) and on 90.5 KBXE. Now I won?t be able to listen to whomever reads my poem between 7:30 a.m. ? 8 a.m. and again between 3:30 p.m. ? 4 p.m. Faribault is well outside the coverage area which extends from Thief River Falls to Hermantown to Pierz. Eventually, though, I?ll be able to listen to the reading of my poem online.

I?m in the company of some mighty fine poets, from novices to Minnesota?s 2011 poet laureate, Joyce Sutphen, to well-known Minnesota writer Will Weaver. You can check out the current listing of The Beat poems/poets by clicking here.

The poems chosen for airing were selected through a juried process.

Connie Ludwig, right, and I pose for a photo with her watercolor, ?Pantry Jewels? (above my head) inspired by my poem, ?Her Treasure.? This photo was taken in April at Crossings at Carnegie in Zumbrota.

Just, FYI, ?Her Treasure? is the same poem featured in ?Poetry Artist Collaboration XI? at Crossings at Carnegie in Zumbrota last April. To read my poem, click here.

I love this whole concept of The Beat, of Northern Community Radio?s ?daily reminder that, in Minnesota, poetry matters, and Minnesota poets prove that every day.?

You can expect a forthcoming detailed post from me on this project funded by Minnesota?s Arts & Cultural Heritage monies.

The cover of last year?s The Talking Stick 20.

NEXT, LET?S PLACE the third piece in this arts collage. More poetry, plus fiction and creative nonfiction.

Today I?m missing out on a book release party for The Talking Stick 21 in the Park Rapids area. This anthology, published by The Jackpine Writers Bloc, represents some fine writing by Minnesota writers. You can, referencing back to The Beat, listen to the poetry of Sharon Harris, a Jackpine member and one of the key producers of the collection.

I?ve been published in two previous volumes of The Talking Stick (including receiving an honorable mention for my poem, ?Hit-and-Run,? in volume 19) and will be published again in this newest volume. My poem, ?Broken,? was chosen from among 275 submissions for publication.

To learn more about The Talking Stick, click here. To learn more about The Jackpine Writers? Bloc, click here.

THAT?S IT. Now, go ahead, add your own pieces to this art collage via your comments.

? Copyright 2012 Audrey Kletscher Helbling

Source: http://mnprairieroots.wordpress.com/2012/09/15/a-minnesota-arts-collage-from-theater-to-poetry/

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8 Comments - Yeshiva World News

Statement of the Central Rabbinical Congress on DOH Vote Interfering with Bris Milah

(Thursday, September 13th, 2012)

The Orthodox Jewish community is outraged by today?s decision of the NYC Board of Health to regulate a sacred, foundational religious practice that has been observed for over 3,000 years.

We believe today?s action, which is based on the thinnest of contested anecdotal evidence, to be plainly unconstitutional and will be aggressively litigating this shocking governmental overreach. We are very confident the 1st Amendment affording the free exercise of religion; and the freedom of speech will be upheld by the courts.

The basis of Jewish law, the Torah, holds even a single life above all other concerns. No practice spanning thousands of years, undertaken by thousands annually, would be allowed in Jewish law if it were life-threatening. What the NYC Board of Health did today is an unforgivable affront.

(YWN World?Headquarters?- NYC)

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Source: http://www.theyeshivaworld.com/?p=139954

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NFL 2012

Guy Trawick Side judge Guy Trawick oversees the action as the Steelers' Mike Wallace is unable to make a reception against the Broncos' Tracy Porter.

Photo by Doug Pensinger/Getty Images.

The replacement refs know that the replacement refs are a problem. You can see them flitting about trying to please everyone, nervously recalling their newly learned NFL-specific rules on the fly. They're under the microscope, because we built the microscope, and what else are we going to do with it?

And sure, it's important to have competent refs. But these ones will be fine if we give them a little breathing room. They don't appear to be going anywhere anytime soon. Roger Goodell's negotiating tactics are like Kim Jong Il's. So is his ego. He'll keep squeezing the refs till they fit in his pocket, and the Goodellization of the NFL will be complete. Then he can get to work on his uranium-enrichment facility.

In the meantime, the refs are so busy nervously making sure they cross every I and dot every T?or, shit, is it the other way around??that they're opening the door for crafty players to manipulate the rules in their favor. Here are some of the main areas where NFL players can exploit the opportunity:

Holding: The NFL is a holding league. Everyone holds. How do you think you stop a snarling beast from going where he wants to go? You use good technique and swivel your hips and stay square and ... bullshit. Either you put the crown of your helmet under his chin, which is now illegal, or you grab him and you hold him. Ideally, it's both. It's the way you hold that determines whether or not you catch a flag.

Here's the general technique. When you engage a man on a block, you shoot your head, shoulders, and hands into his general torso area. Your head and shoulders supply the pop that you hope stuns him, but your hands supply the control. The shoulder pads come down just inside the armpits and cover the chest. That?s the best place to fit your hands, with your fingers literally underneath the pads. But that bull?s-eye is a rarity. Most of the time you shoot your hands and grab whatever you can?pads, jersey, neck hair?and pull him toward you.

But you have to keep your feet moving. Refs overlook the grabbing as long as you stay squarely in front of your man. If he breaks away from your positioning, you have to let him go, or a flag is coming. Usually. But in last week's games, blockers were given leeway to hold on longer.

Another effective form of holding is to shoot the hands and grab the outside of the shoulder pads, just over the deltoids. Totally illegal, but tolerated to a point. This is a tactic used on the edge of a run play, when you're working against a defender who's trying to contain the play or to chase a running back who's bouncing outside. Your man doesn't want to go through you; he wants to run away from you. A strong hand on his shoulder will keep him from doing it.

This is also a great technique for punt returns. You come off the ball hard, as if you're rushing the punt, your man lowers his weight to take on your rush, you engage him with an initial pop?then grab and hold on. Sometimes the ref yells "Let him go!" and you do, or else the flag is thrown. Or after the play, they'll tell you to cut it out next time. They don't want to call a penalty on every return, so they let you know when they think you're pushing it.

But the replacement refs are too concerned about enforcing the rulebook to issue any unofficial warnings. It's the Wild West on returns. Holding, blocking in the back, biting?they're letting it all ride, which is great. That means more big punt returns. Who doesn't love that?

Pass interference: In the battle between receiver and cornerback, the ref sets the terms, and precedent is established early. Corners like to get grabby. Receivers like to get pushy. And with a team of refs struggling to keep track of how many timeouts are left and thinking about whether or not to call a touchdown a touchdown when they know it's not a touchdown, and repeating the mantra "Stay off the head" all game, there's room for more extracurriculars downfield.

When the ball is in the air, the receiver has the advantage. Pushing off is an art form, and when done well, creates the right amount of separation at the right time, turning good coverage into bad coverage with a flick of the wrist. And that?s all it is?a flick.

If you put a hand on his chest and push, even a scabby ref might reach for his cloth. But a push with the back of the hand off the hip or lower torso area, or the use of a "flipper," like on a dolphin, arm tucked in and using the elbow-flip to create the separation, often goes undetected. And with these guys, it always goes undetected. That means more catches! More statistics! Yay, fantasy football!

General tomfoolery: Football is a wild-man?s game. Emotions run high. People get excited, talk shit, scream obscenities, get in each other?s faces, and celebrate like lunatics when they do something awesome. That shouldn?t be tamped down and suppressed. That should be celebrated and embraced.

Fuck that act-like-you've-been-there stuff. This isn't a sacred institution. Act like you?ve never been there before and you?ll never be there again. Act like you're out of your mind, because you are. The energy on an NFL football field does not promote levelheadedness or rational contemplation. It promotes frothing and grunting and pushing the Nitro button all the way down. I say embrace it. Don?t put a lid on it.

Here is where the replacement refs are genuinely improving the game. Regular officials have enough attention left over to enforce the NFL's incredibly uptight rules about player conduct. The replacements are desperately focused on things that really matter, like down and distance. So they are allowing players to celebrate more, yell more, and get up in each other?s faces more?knowing that it's harmless, it's natural, and that it will pass almost immediately. It's healthy communication, that's all.

Otherwise players are forced to bottle it up, and who knows when it'll get to come out again? Maybe when you walk up to one at the bar around closing time and tell him "You?re not as big as I thought you?d be." Football is a game, and game day is the players' chance to have fun. Let them enjoy themselves while it lasts. For the fan, there's always the next game. For the player, it's always almost over.

Source: http://feeds.slate.com/click.phdo?i=c571827f87ab4fafb1334b519e10caf0

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